{"id":555,"date":"2021-05-30T21:07:59","date_gmt":"2021-05-31T00:07:59","guid":{"rendered":"http:\/\/www.dancacontemporanea.com.br\/site\/?page_id=555"},"modified":"2021-12-17T07:55:27","modified_gmt":"2021-12-17T10:55:27","slug":"projetos-teoricos-monografias","status":"publish","type":"page","link":"http:\/\/www.dancacontemporanea.com.br\/site\/?page_id=555","title":{"rendered":"Projetos Te\u00f3ricos &#8211; MONOGRAFIAS"},"content":{"rendered":"<p><a href=\"https:\/\/drive.google.com\/file\/d\/18Vpi4CrklqkkI6B7N_2SLvtXH13SJu3k\/view?usp=sharing\" target=\"_blank\">Uma trajet\u00f3ria de processos art\u00edsticos: 15 anos de cria\u00e7\u00e3o de \u00c2ngelo Madureira e Ana Catarina Vieira<\/a> por Ana Catarina Vieira<\/p>\n<p><a href=\"https:\/\/drive.google.com\/file\/d\/11OkUrXUzY8kG4iy1GS2tqC48jmgz6-ew\/view?usp=sharing\" target=\"_blank\">Movimentos do passo-patrim\u00f4nio: uma metodologia para forma\u00e7\u00e3o em dan\u00e7a<\/a> por \u00c2ngelo Madureira<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-664 size-full\" src=\"http:\/\/www.dancacontemporanea.com.br\/site\/wp-content\/uploads\/2021\/05\/WhatsApp-Image-2021-12-17-at-07.51.35.jpeg\" alt=\"WhatsApp Image 2021-12-17 at 07.51.35\" width=\"753\" height=\"140\" srcset=\"http:\/\/www.dancacontemporanea.com.br\/site\/wp-content\/uploads\/2021\/05\/WhatsApp-Image-2021-12-17-at-07.51.35.jpeg 753w, http:\/\/www.dancacontemporanea.com.br\/site\/wp-content\/uploads\/2021\/05\/WhatsApp-Image-2021-12-17-at-07.51.35-300x55.jpeg 300w, http:\/\/www.dancacontemporanea.com.br\/site\/wp-content\/uploads\/2021\/05\/WhatsApp-Image-2021-12-17-at-07.51.35-150x27.jpeg 150w\" sizes=\"auto, (max-width: 753px) 100vw, 753px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uma trajet\u00f3ria de processos art\u00edsticos: 15 anos de cria\u00e7\u00e3o de \u00c2ngelo Madureira e Ana Catarina Vieira por Ana Catarina Vieira Movimentos do passo-patrim\u00f4nio: uma metodologia para forma\u00e7\u00e3o em dan\u00e7a por \u00c2ngelo Madureira &nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-555","page","type-page","status-publish","hentry","page-entry","loop-entry clr"],"_links":{"self":[{"href":"http:\/\/www.dancacontemporanea.com.br\/site\/index.php?rest_route=\/wp\/v2\/pages\/555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.dancacontemporanea.com.br\/site\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.dancacontemporanea.com.br\/site\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.dancacontemporanea.com.br\/site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dancacontemporanea.com.br\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=555"}],"version-history":[{"count":7,"href":"http:\/\/www.dancacontemporanea.com.br\/site\/index.php?rest_route=\/wp\/v2\/pages\/555\/revisions"}],"predecessor-version":[{"id":665,"href":"http:\/\/www.dancacontemporanea.com.br\/site\/index.php?rest_route=\/wp\/v2\/pages\/555\/revisions\/665"}],"wp:attachment":[{"href":"http:\/\/www.dancacontemporanea.com.br\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}